“Ahmad’s compassion, her deep care for the psychological and emotional nuances of her characters, never wavers.” – The New York Times Book Review

In a searing collection by the award-winning author of The Return of Faraz Ali, characters seek to make their futures their own in a Pakistan riven by class, gender and religion

In these seven powerful stories, Aamina Ahmad finds a world of pathos in the narrowest circumstances, from the fugitive intimacies of villages where nothing escapes notice to the crevices where city dwellers seek refuge from urban striving and indifference. Capturing the plight of ordinary people caught between love and duty, freedom and social constraint—a man who witnesses an illicit moment of tenderness, a police officer who must choose whether to follow the laws of God or of man, a woman who takes matters into her own hands in the face of an unexpected pregnancy—July Sun more than sustains the promise of Ahmad’s sure-footed debut.

“A masterful and unforgettable debut.” —Paul Beatty

"Elegant and deeply felt." —Charles Yu

“A book I have been waiting for all my life.” —Crystal Hana Kim

A radiant portrait of a young woman caught between cultures, and what is lost and found in the struggle to succeed.

Before you are anything, you are a daughter.

At first you are at home inside your pregnant mother: a beloved daughter, a vision of the future. But who will you become?

As your family moves back and forth between Korea and the United States, you find yourself caught between two countries. Prioritizing your future over her own happiness, your mother marshals you through a childhood of homework and violin practice and academic achievement to shape you into the person she most wants you to be. Is hers the ultimate form of love? And, despite her sacrifices, is there a world somewhere between your motherland and homeland that can feel like your own?

Told in incandescent prose, Cay Kim’s exquisite debut novel is a portrait of a brilliant young woman growing up between cultures, and a love letter to girlhood, family, and the great dreams we hold for ourselves, no matter where we’re from.

From one of the preeminent literary voices in Israel comes a darkly funny collection of surrealist stories exploring the increasingly complex relationship between humans and technology.

Set in our world, alternate realities, distant futures, and the immortal realm, the stories in Autocorrect traverse the wide range of human experience. With wit and creativity, Keret blends the absurd and the profound, juxtaposing life's smallest details with weighty existential questions. A man names an asteroid after his wife only to find that it's on a collision course with Earth in "For the Woman Who Has Everything." In "Squirrels," a widower's husband reincarnates as a rodent, and "Eating Olives at the End of the World" considers proper social etiquette in the face of destruction.

Keret's collection speaks to the uncertainty and fragility of our time, expertly capturing its misunderstandings and miscommunications. His stories probe society's uncomfortable truths, searching for meaning in our ever-changing world.